While often associated with Minimalism, Martin's work also has a strong spiritual and emotional dimension. Her grids, while seemingly simple, are infused with a sense of subtle variation and human touch. They evoke a sense of tranquility and transcendence, distinguishing her work from the more impersonal, industrial aesthetic of some of her Minimalist contemporaries. Her work bridges Minimalism with Abstract Expressionism.
Born: March 22, 1912, Maklin, Saskatchewan, Canada
Died: December 16, 2004, Taos, New Mexico, USA
Nationality: Canadian-American
Style: Minimalism, Abstract Expressionism
Influences: Zen Buddhism, nature, landscape
Major Exhibitions: "The Islands" (1961), "The Tree" (1964), "Friendship" (1963)
Quote: "My paintings are about the feeling of beauty and freedom that I experience in landscape."
This is representative of a body of work comprised of large, square canvases covered with meticulously drawn grids, often in pale, muted colors. The grids are subtle and delicate, creating a sense of serenity and contemplation.
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