This work is considered a seminal example of Post-Internet Art. It highlights the aesthetics of early online video, the performativity of online identity, and the blurring of private and public spaces in the digital age. The accumulation of spam comments underscores the commodification of attention online.
Born: 1986, Santa Barbara, California, USA
Nationality: American
Style: Post-Internet Art, Digital Art
Influences: Internet culture, webcam aesthetics, YouTube
Major Exhibitions: "VVEBCAM" (2007), "HELL_TREE" (2011), "Bridgette" (2013)
Quote: "I'm interested in the way the Internet is changing the way we see ourselves and the world."
Website: https://www.petracortright.com/